Stained Glass
 You may note from the examples, the style that I favor derives from natural forms. The compositions in glass are meant to reflect their organic origins, but they are ordered according to an aesthetic judgment that endeavors to balance free flow and movement with complex rhythmic relationships that rely on form, color and value. To achieve this effect in glass is relatively labor-intensive and demanding – more so, say, than geometric or repeated patterns. Further, I take the approach that each individual piece of glass should be pleasing unto itself, as well as performing its role in the composite work.
The method of fabrication I utilize is copper foil and solder. This, I believe, is a more subtle and delicate technique than using lead came. It is also less likely to stretch and sag. Finished panels are securely soldered to channeled zinc frames. This both protects and stabilizes the work, and it simplifies the process of installation.
Aside from a few of the clear “cathedrals”, I generally prefer to use handmade glass. My primary source is Youghiogheny Glass, made in Connellsville, Pennsylvania. I admire the consistently exceptional beauty of this glass as well as the range and diversity of available styles. Since it is near to hand, there is the additional advantage that I am able to select individual sheets consistent with the needs of the project.
I do very little stained glass work “on spec”, since this work is expensive and time-consuming to execute, nor does a pre-made piece often suit a client’s needs. As such, my stained glass pieces are usually site-specific and by commission. I endeavor to create a design that reflects the client’s tastes, desires and interests. In this respect, it is a collaborative effort and will be unique to the application for which it is intended. In short, I mean for it to be a singular work of art, meaningful to those who will live with it – not merely a decorative craft project.
I am prepared to undertake commissions of diverse scale and subject, assuming we are agreed that my style is appropriate. There is one caveat, however: individual panels may not exceed a total surface area of more than 6 or 7 square feet, since I do not believe that larger panels are sufficiently stable without external support. For spaces that exceed this limitation, I would recommend multiple panels that are, nonetheless, integral.
Pricing of stained glass is by surface area and will vary somewhat according to complexity and difficulty. Most will fall within the range of $1,000 to $1,300 per square foot. This price includes the design (which is, of course, subject to the client’s approval), materials and execution. It does not include installation or shipping costs, should they be required.
Once the design is approved, I request an initial payment of about one third the agreed price. This will cover the design, materials and the early phases of the work. Thereafter, payment is usually made in pro-rated monthly installments as the work proceeds. Clients are invited and encouraged to view the project in progress. This ensures that we remain “on the same page.”
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